Degò: Wine by trade, Italian by nature

Published on The Prodigal Guide on 6th February 2012:

Charcuterie and Franciacorta wine glass at Dego, London

An exploration of wine led me to Degò; an Italian restaurant and wine bar that’s so far removed from its Oxford Circus surroundings it leaves you disorientated.

How do you explain its concept? “Devil’s in the detail” perhaps, which is what might be invoked when your eyes set upon its red and black theme. So potent and masculine is the colour, and all hard wood and sleek granite. Yet, there’s also a hint of femininity – the curvature of the bar upstairs, and elsewhere, all moulded around the glass of Franciacorta. Incidentally this is the sparkling wine, produced via the same method as Champagne, you really ought to indulge in. Degò has chose to stock only Franciacorta by Villa and it stocks it exclusively.

The music in the wine bar, played on a bespoke sound system, always falls in the background facilitating ample conversation. The wine selection, mostly Italian, some French and a generous few exclusive to Degò, paired with the cheese and charcuterie is equally adept. In a rather unusual fashion, the board of cold cuts is served with a sauce of sweet chilli which works surprisingly well with the La Tur.

Stairs, black marble inlaid with red, leads down to the restaurant itself where the theme continues in a more prominent fashion. Breathtaking is probably not the right word for it. Over a thousand panels of red hued leather adorn the walls, creating a womb of shimmery rouge. The low and boothy seats encourage the Casanova position – that is, a sideways seductive recline against the supple leather, one hand supporting the head and the other nursing the wine.

Steak tartare ingredients at Dego, London

And wine is as big an aspect downstairs in the restaurant as it is upstairs in the bar. A fact which was obvious from the wine coolers built into all the tables; a considered design. The food, leaning towards Venetian, is no less important and Degò has been furnished with two AA Rossettes and a place in the Good Food Guide.

The bread platter is plenty and full of choice, but don’t fill up on these. Start with the steak tartare for something a little different. Made to order at the table rather than in the kitchen, the meat is coarsely ground (it’s an Italian thing I’m told) with a perfectly balanced proportion of ingredients. And while good, it doesn’t take your breath away in quite the same manner as the scallops with hazelnut cream and Amarone apples, which looks like a sandy rockpool artfully spilled across the plate. Drink Soave La Broia D.O.C. 2009 Roccolo Grassi for its crisp, balanced lightness.

Scallops with hazelnut cream and Amarone apple at Dego, London

The veal chop serving as a main, though inspired by its Milanese counterpart, is much more generous in its portioning but no less tender. A side of frangipane potatoes, a dusting of lightly spiced crust, is a surprising addition but pairs beautifully with medium rare duck breasts and French beans. Opt this time for a dark and smokey I.G.T. Jeudi 15 2009 Vino di Anna, made by Anna Martens, the wife of Caves de Pyrène’s founder Eric Narioo.

If you can, make room for the Bigoli with duck ragu too. A buckwheat pasta with a rich, gamey sauce will surely leave you feeling wholesome and satisfied. Or indulge in their selection of desserts instead, it will give you the same pleasure.

The chocolate caramel meringue has the ginger sauce to give it a kick, though you might kick yourself for not ordering the rose parfait when romancing – it comes with a single red rose. Therein lies the detail of the whole operation. Call it cheesy if you like but really, it’s just flamboyant Italian.

Chinese New Year with Ken Hom

Published on BespokeRSVP on 19th January 2012:

Billions of people around the world will be welcoming in the Year of the Dragon in Chinese New Year celebrations this year on the 23rd of January. The celebrations can go on for as long as 15 days, with different traditions followed each day, or can be as small as a family gathering on New Year’s Eve.

In my family the celebrations have always involved copious amounts of food, including dumplings and stir-fry (an amalgamation of our northern and southern China influences), and watching the CCTV (that’s China Central Television) New Year Gala.

Whatever the celebration though, it will always involve food – it’s just such an integral part of Chinese culture. So to celebrate a little on the Bespoke Blog, we decided to explore the Chinese New Year with Ken Hom OBE, one of the most internationally renouned personalities in Chinese cuisine.

Hom came to prominence in the UK when he was commissioned to do a TV series on Chinese cooking for the BBC in 1984. It was greatly received as it was the first time that food was cooked in real time and of course it was a very healthy and different way of cooking. The TV series was syndicated worldwide, with many more series and accompanying books produced since.

Hom took some time out from his busy schedule (currently in Brazil) to answer our questions…

What do you think Chinese New Year is all about? It is all about celebrating with family and friends, especially over meals. It is also a time of family reunion and looking forward to the New Year.

Do you have any family traditions when celebrating Chinese New Year? I remember we cleaned our house before New Year’s Eve and talked about planning the family dinner.

Are there any dishes that are Chinese New Year essentials? Yes, dried oysters with sea moss…. Good things and prosperity. A whole fish for prosperity and dumplings for good luck.

How are you celebrating Chinese New Year this year? With friends in London

What’s your outlook for the year ahead and are there any new projects coming up? So far it looks good as I am filming a new series for television. I am supporting Action Against Hunger, and I will be supporting the Prostate Cancer Charity for the London Marathon. And who knows what else the year will bring?

Are there any ingredients which are must haves for Asian inspired dishes for the Year of the Dragon? It would be the usual dishes but we are always weary about the Year of the Dragon because it will be a strong year with consequences for many years to follow! But I am positive!

How to cook like Heston

Published on Love Food on 11th January 2012:

Also syndicated on Yahoo Lifestyle UK&Ireland and Yahoo News Singapore on 11th January 2012:

Perfect steak, rocket, parmesan, triple cooked chips

My friend Oli had been extolling the virtues of Heston Blumenthal for years – ever since he went to the Fat Duck for his 21st birthday in fact, where everything was “amazing” and “incredible” and “so good”. He raved about it for weeks, months even. When I went to Blumenthal’s lecture during Bristol University’s Centenary, I finally understood why.

Blumenthal showed us video clips of The Fat Duck dishes being created and explained the concept and science behind it all; very apt considering we were sitting in the University’s physics department and was accompanied by the lecturer who Blumenthal was working with. Every single thing that was plated up was done in a very specific way, meticulously, and every aspect of the eating experience (taste, texture, sight, sound, and smell) was covered.

Back in my kitchen

Garlic, rosemary, lemon juice and olive oil

I considered the prospect of cooking like Heston. Having just started the Two Term Diploma at Leiths School of Food and Wine, I was fairly confident that the recipes weren’t going to be too taxing. After all, they were intended for the home cook. My only worry was the store cupboard of equipment that I’d need in order to attempt the tackle.

Sure enough, looking over the recipes a few days earlier, three of the four recipes were eliminated. Does the average household really own a pressure cooker or mincer? So it was on to the “boring old steak”.

Weighty matters

It seems that the average weight of sirloin in Waitrose lingers around the 200/300g mark, a healthy serving but short of the 400/500g which the recipe asks for. I opted for one which had “seriously good marbling” but fell shy of 300g, vowing to adjust the cooking time to the lower end of the range.

Perfect steaks cooking

Usually taking liberties with recipes, I followed this one to the T. The steak was brought to room temperature and air dried, the ingredients for the dressing were prepared and ready to go, the hot olive oil was rolling and the pan was smoking. As soon as the steak hit the pan, there was an explosion of sizzling followed by momentary silence every 15 seconds or so when it’s being flipped. While the steak started to take on a gentle colouring, I worked to avoid the spitting oil. Two minutes later, the ordeal was over and the steak rested happily on the wire rack as I made the dressing.

Dinner’s ready

Sitting down to dinner less than 20 minutes later, my friend and I evaluated my hard work served up with a side of triple cooked chips (whatever else?).

Parmesan over perfect steaks and rocket

The steak was on the side of rare but not at all bloody and where it was slightly more well done, it was somehow still tender. Despite the heavy usage of olive oil, the lemon and rosemary in the dressing lightened the whole affair and gave it a refreshing aromatic twist. I wondered if I hadn’t flipped the steaks, the dressing would have still made it work. But for a few minutes of work, the reward was certainly worthy.

The chips proved to be a bit of a distraction though – my friend would happily have had just a helping of those.

The inappropriate use of wines

Published on The Prodigal Guide on 4th January 2012:

A couple of months ago I was sent three bottles of Bordeaux by a friend for tasting. The Avery’s Pioneer Range Bordeaux 2009, Chateau Grand Jean Bordeaux Millésime 2009 and Dourthe Reserve Montagne Saint-Emilion 2009, to be precise. Nothing mind-blowing as they say but a fine selection of tipple for every day drinking. Shortly afterwards, another friend sent me a further three bottles of wine as a thank you gift. This time it was a choice selection from the 90 point club – that’s excellent for savouring.

Suddenly I had a small portfolio of enjoyable wines. Some would say that’s pretty good going and yet months later, the wines remained untouched. Until this week, that is.

After much struggle with a new and unfamiliar bottle opener from the Harrod’s Wine Shop, I managed to uncork the Avery. A deep inhalation down its neck was met with pleasure – robust plummy goodness. And then the purple liquor went straight into a measuring jug at 290ml and onto some cubed lamb-soon-to-be-daube waiting expectantly in the Le Creuset for its fruity marinade. The rest, uncorked, went into the fridge. Not a drop touched my lips.

Something similar happened a few months ago.

Shallots diced, parsley chopped, garlic minced and mussels scrubbed, I realised I had no white wine. How was I going to pull together a moules marinière? The Pommery which sat in the corner caught my eye. Swiftly the metal cage was disengaged, the cork wrestled out and the bubbles poured into the pan with the lid replaced firmly. A short while later, I had an indulgent lunch watched disapprovingly by the empty bottle.

Moules Mariniere

For the passionate oenophile, this must seem appalling. But for the avid gastronome? Probably quite appeasing.

My reasoning was this: since I spend much of the week at events, mostly involving some form of drinking, I really ought to curb my enthusiasm when at home. After all, drinking alone was never fashionable. Eating alone, however, was run of the mill business. Weighing up the probability of a guest who would genuinely appreciate the wine against the probability of me seriously enjoying the food, my ravenous hunger won out. I suppose that makes me a better gastronome than an oenophile, when alone at least.

Of course not every meal is as indulgent as the champagne moules marinière. On this lamb occasion, the Avery was chosen for its full fruited body and generous tannins though perhaps more so because I judged it as the lesser drinking wine out of my collection.

As it happens, I was cooking the lamb daube for a friend who had come to photograph me spatchcock a poussin. The perfect opportunity to sample some of that wine you say?

Well a small splash of the leftover Avery was supped with the lamb before it was filed back into the fridge – unfortunately I didn’t have the good sense to serve it at room temperature. Still, the dulled flavours of the chilled wine remained richly plummy and heavily tannic. It was not at its best for drinking but served rather well as a side to the already basked lamb, which my friend appreciated so much more.

See what I mean about probabilities?

And the rest of that bottle of Bordeaux? Well, it’s going into next week’s coq au vin. Naturally.

Georgia on my mind, Georgia for the wine

Published on BespokeRSVP on 2nd January 2012:

Man by grape crusher in vinyard

Somewhere in the back of my mind was always the idea that knowledge should have solid foundations; maybe it’s a philosophical thing about justified true beliefs or maybe it’s the way I’ve always been taught. But when I began exploring wines more extensively, it seemed apt to start from its origins – Anatolia.

Often referred to as Asia Minor, Anatolia is the ancient region comprising the modern day countries of Turkey, Armenia and Georgia. A place that’s fertile in soil, accommodating in climate and rich in cultural history, Anatolia has been shown by scientists and archaeologists alike to be the oldest region in the world where grapes have been cultivated and wines produced.

With hundreds of varietals and thousands of years of wine making history, where do I start?

Georgian flag, blue sky

I travelled to Georgia to begin my journey.

Hailed as the cradle of wine, and that of natural wines in particular, Georgia claims to boast some 8,000 years of history in wine making. With a plethora of indigenous varietals and a landscape of terroirs, the scope for interesting and unique wines is a connoisseur’s dream. Wine is also an integral part of Georgian culture and economy and the thing which links the country’s history to its present day affairs.

Lunch feast in Georgia

The majority of Georgians make wine at home for personal consumption but it also helps to ease the economic burden of regular toastings during Supras (Georgian feasts). After all, no guest is truly welcomed until they’ve experienced the hospitality of a Georgian fare complete with toasts made by the Tamada (toastmaster). Naturally, no toast would be complete without wine and Georgians are very hospitable people.

As a nation, Georgia also made wines for export. In fact, wine was consistently one of the top three products for export. During the Soviet era, its wines were distributed across the rest of the USSR and was recognised as being of the highest quality. After the dissolution of the USSR, Georgian wines continued their popularity in Russia and Central Asia. Over 80% of the wines exported from Georgia went to Russia so it came as no surprise that when Russia banned all import and sale of Georgian wines, the two came to blows.

Qin Xie at Alaverdi Monastery

Georgia is no stranger to conflict of course – its history is peppered with battles. It is said that the statue of Kartlis Deda in the capital Tblisi bears a bowl of wine in her left hand to greet those who come as friends and a sword in her right for those who come as enemies – the perfect personification of Georgian character.

But it was really the traditional Georgian method of wine production that caught my eye and enticed me to learn more.

Qvevris, giant handmade vessels of rounded clay amphora with a pointed base and no handles, are buried up to the rim in the earth. Crushed grapes – stems, pips, skins and juice all go straight into the qvevri which is then covered by a stone slab and sealed with wet sand. The subterranean conditions maintain a stable temperature in the qvevri and fermentation occurs thanks to the natural yeast found on the grapes.

Six months to a year later, occasionally even longer, natural wine is produced – nothing added, nothing taken away.

Grapes and wine in qvevri

Wines produced in this way are very different to its European-style counterparts. Red wines, typically made with Saperavi grapes, produce a deep plum stain. White wines, made with Rkatsiteli grapes alone or blended with Mtsvani grapes, take on an auburn hue. Then of course there’s the spectrum of colours created by the other indigenous varietals. Tasting the wines straight out of the qvevri at the Pheasant’s Tears vineyard in Kakheti, it’s impossible to deny the vibrancy of the fruit and natural sweetness of the wine. And there’s really few phrases which would describe that feeling well, except perhaps “the overwhelming sense of being alive”.

Is it just because it’s a natural wine? Having tasted a sizeable selection of other natural wines and  non-qvevri Georgian wines, I’m not so sure. There was definitely something about the qvevri which gave the wine its special characteristic, unrepresented anywhere else. Perhaps that’s why qvevri wine production has gained increasing popularity outside of Georgia with Josko Gravner in Italy being one of the most well known amongst the international wine crowd. Sadly, production and export is so limited that it’s extremely rare to find qvevri wines for sale.

Returning from Georgia, my mind was filled with abstract ideas on wine – the trip has certainly whetted my appetite. Tours around Pheasant’s Tears vineyard, Schuchmann Winery, Twins Old Cellar and Alaverdi Monastery all offered detail and perspective on the Georgian wine story. But have I found the wine grounding I was looking for? Perhaps a little, but mostly on natural wines.

I was sure of one thing though – my next learning destination will be Turkey, a lesser known wine destination offering even more indigenous varietals.