The philosophy of restaurant design

Published on host. Milano. on 17th April 2015:

The Corner Room

In London, restaurant design is surprisingly powerful in its subtlety.

Think, for example, of a restaurant with stripped back lighting, bare walls, white tiles and chrome fixtures. Who do you imagine will dine in such a restaurant? And what kind of food will be served? Now, what about a restaurant with plush banquettes, aged-wood panelling and framed paintings? Has your diner aged by a couple of decades?

As in other parts of the western world, a well designed restaurant in London might get mentions in a magazine, gain kudos in awards or even attract the right type of clientèle. Followers of restaurant psychology might even argue that the right restaurant design can increase the average spend of the diner, making restaurant design an incredibly powerful tool for the restaurateur.

Meanwhile, restaurant design in China is a wholly different ball game. Here, it’s less about the fine-tuning and more about the turnover.

Now, we’re not talking about the European restaurants in Shanghai which aspire to their international counterparts. Nor are we talking about international hotel restaurants which are inspired by a brand identity. Rather, we’re talking about restaurants for the mass market.

According to one restaurateur I spoke to last year, a successful restaurant will need to redecorate once every two or three years to maintain a sense of “newness” for its diners. A restaurant that hasn’t been redecorated for seven years or more is basically on its last legs and will have seen dwindling visitor numbers for some years.

The reason? Competition.

The number of restaurants in China is so incomprehensibly large that the only thing which distinguishes between them is that sense of newness. Here, restaurant design isn’t built to last but rather, just until its shiny edge has worn out.

Words – March 2015

Published this month:

On the blogs:

Second #HOTGV podcast and additional podcasting notes

Heard on the Grape Vine update

It’s been a little over a month since the first episode of Heard on the Grape Vine went out and, despite some technical difficulties, there’s been great feedback – so thank you! If you’ve enjoyed the first episode, don’t forget to subscribe.

Amateur Wine » HOTGV Podcast

Heard on the Grape Vine is also up on iTunes now so you can subscribe there too —> #HOTGV on iTunes <—

Second #HOTGV episode

If you’ve been waiting for the second episode of Heard on the Grape Vine, it’s now available over at Amateur Wine.

The second episode is alcohol-free and features Jameel Lalani from Lalani & Co on the world of fine teas.

The first time we met was perhaps five years ago to talk about the Japanese green tea matcha, a topic which we revisited. We also talked about the ageing ability of teas, food and tea matching and Lalani’s tea projects in Hawaii and east Africa. And some other fine tea related stuff.

Basically, it’s one for tea enthusiasts and connoisseurs alike.

Additional podcasting notes

If you’ve read my previous post on podcasting, you’ll know I had some trouble using the Roland R05, in that I didn’t realise I had to press record twice. For this second episode, I made sure that the screen said record, and not just stand by, which is just as well because I didn’t take a back up dictaphone.

So the second episode was recorded with the Roland R05 in its entirety and also the first episode to be recorded outside of my home office – you’ll detect the occasional background noise here which shows how important it is to have a quiet spot.

The thing that really stood out for me when it came to the edit was how three dimensional the recording was. You won’t detect this as much because of the edit but in the raw recording, the strength of the voice varied a lot according to where the speaker was. For example, the voice was a lot stronger when the speaker leaned forwards and significantly weaker when further away. It was easily fixable with the amplify function on Audacity but also contributed a lot more in the edit time (saved by the reduction in umms, yeses and aah that I stopped offering). I’ll need to adjust the settings on the R05 in the future, or at least keep my interviewee relatively still, but I think this shows how sensitive and geared to music the recorder is.

Borago: cutting edge cuisine in Santiago, Chile

Published on Matching Food & Wine on 4th March 2015:

kitchen_borago_santiago

Rodolfo Guzman, the young chief at the pass, was out foraging in the Atacama Desert to the north of Chile when I arrived for supper. The sizeable team, chaperoned by the even younger sous chef, Shannon Martincic, who I had mistaken for a stagiaire, was running on its own steam and to a good rhythm.

loco_borago_santiago

From what I gather, Guzman was with a group of international journalists. Entertaining scribes seems part and parcel of culinary stardom these days though Guzman hasn’t shirked his kitchen duties – assurances were given that the chef had foraged for the restaurant that morning before jetting off.

nest_quail_borago_santiago

Read more at Matching Food & Wine