Author Archives: Qin Xie

Travels with Chefs, a postcard from Cornwall

by Qin Xie | Leave a comment

Published on BespokeRSVP on 5th March 2012:

My trips to Cornwall have always been about seaside escapades. Everything from kiting in St Ives to surfing in Newquay where the days are filled with blissful freedom and glorious sun – fabulous escapism from London life. So I was rather surprised to learn that you can stalk wild deer in this Southern-most county. But stalking is exactly what I did on my most recent trip to Cornwall.

Red Hunter wellies in Cornwall

The journey down was certainly not in the usual Bespoke fashion – a slow trundle in a Grumpie’s Pie van that had recently carried crates of fresh fish. But let us assume for a moment, however, that it was all for reasons of authenticity. After all, I was visiting the “Cornwall in your kitchen” producers with Matt Chatfield who supplied some of London’s best restaurants, including The Ledbury and Roganic. Meeting Charlotte and I in Cornwall were the Chefs (James Lowe, Young Turks; Tom Adams, Pittcue Co; Carl Clarke, Hix Restaurants; Jack Stein, Rick Stein Restaurants etc) all looking to push boundaries.

Arriving very fashionably late at around 3am, I was most disappointed to find that the chef crew had all gone to bed. I thought they were known for their hardcore partying antics though I suppose having to be up barely an hour later to go stalking is a fairly good excuse for an early night. And almost as soon as my head hit the pillow, it was back up against the headrest of the car – we were on our way to shoot Bambi.

Venison sausage breakfast in Cornwall

Turns out, sitting on top of a tree, encapsulated in five layers of thermals and still being chilled to the core, is not that fun. Especially when there’s no deer in sight, despite perfect conditions, and the gun merrily working its tease. In fact, trudging through a field at breaking dawn and trying not to get knocked over by a gun of equal height was about as exciting as it got. Well, except perhaps when I was scaling the great heights of my tree perch and thinking that I was going to fall out and die.

Did I mention I have a bad case of vertigo?

This, it seems, was the nature of the cull – unpredictable. But venison was found at last in the huntsman’s breakfast. Freshly cooked sausages, made by our shoot host and mystery man Deer Jon of Cornish Game, sandwiched in white loaf and doused with ketchup was sublime antidote to the freeze. I could’ve killed for an Earl Grey to go with it.

It was enough sustenance to for us reach Keveral Organic Farm where our guide Sean O’Neil led us round the plots and polytunnels. February in the UK is not known for its particular warmth and the land wasn’t exactly forthcoming with its emerald sheen. But somehow, amongst what looked like plots of bramble and barren polytunnels, O’Neil uncovered shoots of green, leaves with pink sheen and even edible flowers. Endlessly, he exuded knowledge about the plants that he nurtured and asked us to taste where mini taste-bud explosions ensued. A foraged box was plundered.

Andy Atkinson of Cornish Orchard Cider in Cornwall

In the final hours of the sunlight, we were back on the Cornish hills to catch a glimpse of those wild beasts. A stiff drink in a solitary stone build and gentle musings over notable international restaurants later, hunger lured us back to civilisation. But not before, at last, spotting the first roes and then the stags. Six ethereal creatures making a slow amble across the plane, stopping, occasionally, to graze. Too far to shoot but too close not to be in awe, it left us empty handed with a sense of achievement.Our afternoon was then rewarded with a visit to Westnorth Manor Farm (owned by the Duchy of Cornwall) where we met Cornish Orchards’ cider-maker Andy Atkinson. Still sweet, still dry, sparkling sweet, sparkling dry and a few fruity ones – Cornish Orchards Cider made them all using a blend of English apples. And honey and cider vinegar too. A swift tour and tasting around the cider press left us with yet more tantalising goodies.

Hung venison in Cornwall

Back in the kitchens of Deer Jon, all the pieces fell into place. While he demonstrated the butchery of a roe that he had already culled and hung in his workshop outside, inside was a hive of activity. Filleted fish and live lobster had arrived from Fish for Thought, even more vegetables came from Keveral Farm, honey from Cornish Orchards Cider was on the table and of course venison was being carved out. With more than a handful of chefs at the AGA and a few bottles of vino, a feast came together slowly, organically, but surely. I imagine this would be what Hugh Fearnley-Whittingstall got up to in the early years of River Cottage.

After the briefest of visits to Philip Warren and Son to peruse their meat and grab a cheeky pasty the following morning, it was back in the kitchens for a fry up before the journey back to London. Watching the supermarket bought “bacon” fizzle and foam in the pan as if sprinkled with sherbet, the point of provenance becomes poignantly clear.

All that getting up early and sitting out in the cold, all the hard work, experience forged knowledge and passion of these producers, it all goes towards the quality of the final product. And in the end, whether it’s a rustic feast knocked together on a whim or a fine fare at the tables of London’s best restaurants, the food is only as good as the quality of the ingredients that goes into it, irrespective of skill. And that’s something often overlooked when you chow down on your scrupulously intricate plate of food in cosy warmth.

London Calling: Where to eat during the Olympics

by Qin Xie | Leave a comment

Published in The Tomato Magazine March/April 2012 Issue number 146:

Going to the Olympics this summer? Got your hotel resos? Check. Event tickets? Check. Dinner reservations? Gahhhh!

To prevent the convenient but boring prospect of falling into the nearest Prêt a Manger or the perfectly dreadful idea of a burger at Wimpy, we asked two London food journalists to give us the goods on their fave spots. From Dinner, Heston Blumenthal’s London outpost, to vegan eatery Counter Café close by the stadium, journalists David Constable and Qin Xie offer their takes on where, and what, to eat to guarantee you a full-on London experience.

There has never been a better time to visit London, home to some of the world’s best restaurants and bars, as well as host of the 2012 Olympic Games. This year, the city’s culinary landscape, bolstered by a whole score of new openings, is as international as its visitors — from the Russian Mari Vanna to the Peruvian Lima and Ceviche, there’s bound to be something for everyone.

Visitors don’t have far to go either. Right outside the main Olympic Stadium is the recently opened Westfield Shopping Centre, offering a small cluster of eateries. The likes of Franco Manca, Pho and Comptoir Libanais, all part of small chains, wave the flag for good food at accessible prices. For something more unique in London, visitors should head west on the Central Line.

Stop briefly at Bethnal Green to sample Nuno Mendes’ creative fare at Viajante and Corner Room. Mendes, previously of El Bulli, never fails to plate up interesting flavour combinations. Close by is Shoreditch, more easily accessed via Old Street Station, the area of London where some of the trendiest bars paint a unique map of cool. Callooh Callay and Nightjar are some of the East End’s favourites.

A constellation of gems can be found around Soho, where eating and drinking integrate seamlessly. Oxford Circus is your portal to this gastronome’s paradise. This is where you will discover Italian wine bar and restaurant Dego with its unusual Champagne and Franciacorta list. If wine is really your thing, do stop by Terroirs near Charing Cross for some of the most interesting natural wines around.

Proceed further south to discover NOPI, the restaurant that’s a unique Yotam Ottolenghi blend of Mediterranean, Middle-eastern and Asian cuisines, where the restrooms are as much a talking point as the food. Nearby is Hix, the bar and restaurant that feeds London with some of the meatiest feasts and the most potent cocktails.

Just to the east of NOPI is where you’ll find Polpo, part of Russell Norman’s mini-empire of small plate eateries. Always busy, this bacaro offers Venetian décor matched to Italian cichetti and Aperol Spritzes. And across the road from Polpo is Bob Bob Ricard, described by some as a “pleasure palace,” where sumptuous delights await in the form of champagne and caviar. But, interestingly, it’s often celebrated for having the most accessible wine list in London with some of the lowest mark up rates.

Further east still is Yauatcha, known for dim sum, tea and faultless Michelin meals at a fraction of the price you might expect.

Speaking of Michelin, The Ledbury, St John and Hibiscus are all worthy of that detour and all are named in the World’s 50 Best Restaurants. Equally, Roganic, a two-year pop up by Michelin-starred Simon Rogan, and Dinner, Heston Blumenthal’s London outpost, also require your attention. But make sure you’ve left enough room and time for a reservation at Rules, London’s oldest restaurant, before you leave.

Franciacorta: A different perspective on our favourite bubbles

by Qin Xie | Leave a comment

Published on BespokeRSVP on 14th February 2012:

When you think about sparkling wines and Italy, Prosecco will no doubt be the first thing which comes to mind. But for fine Italian bubbles, you should really look to Franciacorta.

Franciacorta, a wine region in Lombardy just south of Lake Iseo, is a place whose still wines have been noted in history by the likes of Virgil and Pliny the Elder for its exceptional quality. But in recent times, it is their sparkling wines which have brought the region back in vogue.

Wines of the region were only denominated as Franciacorta in 1957, when winemaker Guido Berlucchi released a still white wine called Pinot di Franciacorta. Then in 1961, with the help of Franco Ziliani, Berlucchi produced a sample 3,000 bottles of sparkling wines. The wines, produced via metodo classico (the same method as champagne), gained instant popularity and flew out of the Berlucchi cellars. The following year, production was increased to some 20,000 and has been steadily increasing since.

Standards of Franciacorta have always been maintained though. And in 1995, Franciacorta was awarded the DOCG (Denominazione di Origine Controllata e Garantita) status as an indication of its superior quality.

These days, a handful of Franciacorta producers lay claim to an output of around 13 million bottles – only a tiny fraction compared to Champagne. But just like Champagne, it is the only Italian wine which doesn’t need to declare its appellation on the label.

The pedigree all looks very good on paper but what does it taste like?

Charcuterie and Franciacorta wine glass at Dego, London

In conversations and tastings with the sommeliers at the very Italian Amaranto and Degò, the feedback has always been very positive. The little known sparkling wine, hidden like an Italian secret, has quality that’s comparable to that of Champagne but at a snip of the price. And elsewhere, including in the likes of award winning journal The World of Fine Wine, the consensus is in agreement – Franciacorta is a more than worthy contender on the platform of sparkling wines.

I invited Tom Harrow of WineChap to Vini Italiani, a South Kensington wine shop specialising in Italian wines, for a tasting of Franciacorta. One of the owners, Matteo Berlucchi, is in fact a member of the Franciacorta making family Fratelli Berlucchi so bubbles were certainly in their veins.

Harrow, already familiar with Franciacorta, was immediately happy to declare 2012 as the year for it. I was inclined to agree.

Franciacorta at Vini Italiani

We tasted the Brut 25 NV Fratelli Berlucchi, Brut NV Il Mosnel, Prima Cuvee Brut NV Monte Rossa, Brut Rose Millesimato 2007 Fratelli Berlucchi, Pas Dose Riserva “QDE” 2004 Il Mosnel and Dosage Zero 2006 Ca’ del Bosco. Each had its distinct characteristic, minerality and a rich butteriness that the average Prosecco simply cannot comprehend. And fruit too, was surprisingly prominent.

Harrow, I think, was rather captured by their structure. The Dosage Zero 2006 Ca’ del Bosco, he says, would happily rest for a few more years before maturity. Generally finding pink to be a deterrent, I actually quite fancied the Brut Rose Millesimato 2007 Fratelli Berlucchi for drinking right now (Valentine’s Day in particular). All in all, a rather tasty afternoon’s work.

Of course that is not to say that this relatively young wine is comparable to the finest Champagnes, which by its very nature is in a superior category. But as Harrow rightly said, to compare Franciacorta with anything else simply doesn’t do it justice – it is unlike anything else on the market. And for something which has only been in production for a relatively short time, Franciacorta is already very good and has great potential to grow. Besides, a different interpretation of our favourite drink is never a bad thing

Blakes Restaurant: A dessert worth conquering, or being conquered by!

by Qin Xie | Leave a comment

Published on BespokeRSVP on 10th February 2012:

When you have a chef who’s been with the same restaurant for over 20 years cooking for you, you know that their relationship with the establishment has been a good one. And that good relationship certainly translates across to the food – the sort that you might find in the restaurant at Blakes Hotel. But don’t imagine for a second that the food has stagnated in those 20 odd years, they haven’t. The menu reflected Executive Chef Neville Campbell’s recent tour of China as well as no doubt countless other expeditions to the Far East.

Indeed the oriental influences can be seen throughout the menu as well as the rest of the hotel, which is perhaps why it works so well. As you enter the hotel, you’re immediately greeted by the floral spice of some perfume which subtly permeates the air. It’s so delicate and yet robust at the same time, transporting you to somewhere exotic. Soon, you find yourself quite intoxicated as you make your way downstairs to the restaurant where you will be greeted by their efficient but not over-zealous staff.

The dim lighting and staggered alcoves mean that you always have a sense of privacy, which is definitely a good thing, especially if you’re planning to tackle the dessert that I did, alone. But much more on that later.

First, let’s start with… well, the starter. True to character, Charlotte ordered in the Champagne for the wait which really was no time at all. Hunger had me all over the pate de Foie Gras, which, I know, I know, is not the most ethical thing in hot debate but it just tastes so damn good. Charlotte finds herself tucking into the potently aromatic salt and peppered softshell crabs, lured by memories of her own travels to the Orient.

Charlotte then travelled further down the pepper theme with a peppercorn steak for her main, served perfectly pink. I switched from French to Chinese with an aromatic duck which was rare enough to bring out the gamey flavours but done enough to suit the spice. The red meats called for a bottle of Brunello di Montalcino Tenute Silvio Nardi 2004 whose robust fruit coped well with the spice of the red meats. Its medium body also did well with the truffled mash, which was simply divine. Even Charlotte abandoned her healthy spinach to indulge in my choice of side.

Having been sumptuously fed up to this point, Charlotte and I decide to take a much needed break to enjoy the rest of our wine before attempting to make room for dessert. To be perfectly honest, in my case, that exercise was completely pointless.

When I ordered the caramel soufflé, I was told that it was a very big dessert. “How big could it be?” I thought, “I’m the sort of girl who eats two desserts after all”. Knowing this already, Charlotte informed our waitress that wouldn’t be a problem at all. Of course when it arrived, my jaw dropped as close to the floor as is hygienically possible. Charlotte’s chocolate fondant with vanilla and pistachio was in a word, dwarfed.  Around four times the size of your average dessert, this soufflé was gaining on the height of the wine glasses. Two tuile straws inserted into its centre allowed copious amounts of warm caramel to be poured inside as well as already drizzled on the outside. I was almost embarrassed to be tackling something so American in portion size but I was determined not to be conquered.

Glasses of Château d’Yquem Premier Cru Classé ’95 accompanied both our desserts but was certainly not sweet enough for my caramel soufflé. I pandered after the Royal Tokaji, Aszu Essencia ’93 while staggering through my dessert. Half way through though, I decided to give up. As fabulously pleasing to the palate as it was, it didn’t seem right some how to be indulging in this entire beast of a dessert myself. Later, I discover that a group of four had tried to tackle the same dessert earlier and hadn’t made as much of a dent as me. That fact made me strangely proud – guess my tooth is truly sweet.

The only way to finish a meal so indulgent was to enjoy a cocktail or two at the bar, which, like true sabrites, we did.

Cookery school tips from the frontline

by Qin Xie | Leave a comment

In January I started the Two Term Diploma at Leiths School of Food and Wine. It seems that after 12 years at school, three years at university and six months training to be a journalist, I was back to where I started: at school. But that’s not necessarily a bad thing. I saved up and signed up for the course to gain a solid foundation knowledge about cooking. This, I figured, would help me to improve my writing about food and drink and focus on the finer details. The days speed by when you’re cooking all day and writing all night. I’ve already completed a month on the course – time to share a few of the things I’ve learned so far.

Speed – it comes from preparation:
The thing that I really worried about before starting the course was being able to cook at speed. At home, I cooked for pleasure and at a leisurely pace – not something chefs have the luxury of doing in the kitchen. In the first few weeks I struggled to finish on time. Then I realised that the reason why the students doing the full Diploma were so good was because they had everything they needed ready and knew what they were doing. When I started doing the same, I got a whole lot quicker.

Organisation – it’s part of your preparation:
One of the most tedious and time consuming aspects of the course is the time plan, something I haven’t had to do since Food GCSE at school. It’s basically a piece of paper with all your ingredients and instructions on, including what you should be doing when. As annoying as it is to do, it is incredibly useful in helping you to be organised. Of course, it’s no good if you don’t know what’s on it so you need to absorb as much of it as you can. In the kitchen, it should only be a frame of reference rather than something you look at every two minutes.

Presentation – from mise en place to plating up:
When you cook for yourself, family and friends, flavour is generally more important than presentation. But sometimes even when you put together a considered arrangement on a plate, it somehow doesn’t look like it would in a quality restaurant. Perhaps that’s because the very premise of restaurant food is that it needs to be presentable so from the outset, the food is prepared and cooked in a specific way. For example, the presentation side of fish is always cooked first, the knuckles on poultry are always trimmed, any exposed bone is always scraped clean and so on. Your beautifully presented dish really started with perfect preparation and careful cooking. That said, don’t forget to do any post-processing before you serve it.

Knife skills – practice makes perfect:
This one is probably the oldest nut of wisdom in the book but it’s very true. It’s not just about hacking a carrot any old way though, you have to roll-slice it. That is, leaving the tip of the knife on the chopping board and lifting only the heel of the knife so you can push forward and down to cut in a rolling motion. In essence you’re moving the blade through the food rather than straight down which makes chopping a lot easier and cutting yourself much less likely. Admittedly it’s not the most natural movement to start with but with practice it does work. You will need a very sharp knife and chefs’ knives are exceptionally sharp – much more so than regular knives it seems. But don’t fear your knife, you’re more likely to cut yourself while cleaning it.